hauser and wirth anna maria maiolino

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Farago, Jason, 'Weekend in Los Angeles: That Touch of Brazil', in: New York Times, New York, and on: https://www.nytimes.com/2017/08/30/arts/design/maiolino-museum-of-contemporary-art.html, 30 August 2017, ill. 2016 ___, '10 to See. Central to Anna Maria Maiolino’s practice are notions of subjectivity, belonging and place. Basualdo, Carlos, 'Tropicália Uma Revoulução na Cultura Brasileira (1967-1972), São Paulo: Cosac Naify, 2007, pp. Anna Maria Maiolino, São(They Are), 1997/2000, Photo: Vicente de Mello, Courtesy the artist and Hauser & Wirth Past Event This event was on 16 October, 30 October or … Casa de Petrópolis, 'O Século das Mulheres – Algumas Artistas', Rio de Janeiro, Brazil Major solo exhibitions also include ‘Continuum’, Camden Arts Centre, London, England (2010); ‘Order and Subjectivity’, Pharos Center for Contemporary Art, Nicosia, Cyprus (2007); ‘Territories of Immanence’, Miami Art Center, Miami FL (2006); ‘Many’, Maiolino’s first retrospective in Brazil hosted by the Pinacoteca do Estado de São Paulo (2005); and ‘Vida Afora/A Life Line’, The Drawing Center, New York NY (2001). University of California, 'Inagurane Collection of Modern and Contemporary Art of the National Gallery', Berkeley CA Spazio Oberdan, 'Food', Milan, Italy (Travelling exhibition) Brazil, Anos 60', São Paulo, Brazil, 1977 Coleção Gilberto Chateaubriand, 'Arte Brazileira, Anos 60 e 70', Casarão João Alfredo, Recife, Pernambuco, Brazil Maiolino took part in the radical reconfiguring of the art object – and thus the art institution and the artist – during this period. ): 'Modern Women: Artists at the Museum of Modern Art', New York: MoMA, 2010, pp. The drawing ‘Untitled’ (2006), from the series ‘Codificações Matéricas (Matter Codification)’, exemplifies the poetic discourse that Maiolino generates from the simplicity of a single gesture. MuCEM', Milan: Skira, 2014 pp.134-135, ill. (exh. La Roque Leal, Claudio de, 'Sem Fronteiras', in: O Liberal, Belém, 17 March 1991, 1990 La Roque Leal, Claudio de, 'Quebrando Todos os Limites Impostos', in: O Liberal, Belém, 13 August 1990, 1989 Andrade, Geraldo Edson de, 'A Beleza Rústica dos Relevos', in: 'Ultima Hora,' Rio de Janeiro, 11 December 1989, p. 3, 1984 Araújo, Olívio Tavares de, 'Anna Maria Maiolino: Incursões pela liberdade', in: 'Revista IstoE', São Paulo, 20 June 1984, 1983 Aquino, Flávio, 'Anna Maria Maiolino. Hauser & Wirth, 'Between Senses', New York NY Beginning 7 May 2014, Hauser & Wirth will present ‘Anna Maria Maiolino. Venâncio Filho, Paulo, 'Os Objetos Vitais de Anna Maria Maiolino', in: O Estado de S. Paulo, São Paulo, 15 June 1995, 1994 La Roque Leal, Claudio de, 'O Silêncio Contra a Repressão', in: O Liberal, Belém, 16 January 1994 Museum of Fine Arts, Boston, 'Permission to be Global: Latin American Art from the Ella Fontanals-Cisneros Collection', Boston MA ], 'The Circle Walked Casually', Berlin: Deutsche Bank Collection, 2013 Abstract Art from the Ella Fontanals-Cisneros Collection', Miami FL Museu de Arte Moderna do Rio de Janeiro, 'Poética da Resistência: Aspectos da Gravura Brazileira', Rio de Janeiro, Brazil, 1993 'Brazil: "Segni D'Arte"', Venice, Italy Anna Maria Maiolino in conversation with Michael Asbury. Eu sou Eu. Baumgardner, Julie, ' Anna Maria Maiolino on "Between Senses" at Hauser and Wirth', on: www.blouinartinfo.com, New York, 25 May 2014, ill. Críticos de Arte), Rio de Janeiro, Brazil, 1980 Prêmio de Aquisição - III Salão Nacional de Artes Plásticas , Rio de Janeiro, Brazil, 1974 (IN-OUT Antropofagia) - Filme premiado no I Festival de Filme Super-8 , Curitiba, Paraná, Brazil Roteiros, XXIV Bienal de São Paulo', São Paulo: Fundação Bienal de São Paulo, 1998, pp. I Salão de Artes Plásticas de Santa Catarina, Florianópolis, Brazil Her mark-making is based on the repetition of basic actions that are recorded in the material; her forms the result of this laborious processing of raw material, like the basic bodily functions of eating and defecating. Museu Nacional de Belas Artes, 'II Ciranda de Psicanálise e Arte – Os Discursos Delirantes, "Desejo-Subjetividade-Hibridade"', Rio de Janeiro, Brazil, 2003 Paço Imperial, 'Ateliê FINEP - Arroz & Feijão – 2003', Rio de Janeiro, Brazil Manifested as a self-portrait, the video ’08/07/2013′ (2013), from the ‘Present’ series, discusses the significance of a single experience that transpired on the artist’s journey home from dOCUMENTA 13. EN TUDO - TODO [In everything - all]’, São Paolo, Brazil Photo: Genevieve Hanson ‘Dieter Roth. 'Litogravura: Métodos e Conceitos', Santo André, São Paulo, Brazil, 1991 Paço das Artes, 'O Clássico no Contemporâneo', São Paulo, Brazil Born 1942 in Italy, Maiolino’s practice expresses a concern with creative and destructive processes. On view will be a selection of drawings, works on canvas, sculptures, photographs, and videos, as well the sound installation ‘Two Beats’ (2012), which features the artist’s poem 'Eu so Eu (I am I)’ that was presented at dOCUMENTA 13. 1930-2006: Selections from a Decade of Acquisitions. Roteiros. 26 Apr — 27 Jul 2018. ANNA MARIA MAIOLINO: ENTRE PAUSAS Text by Tania Cristina Rivera, Randy Kennedy. I Festival de Filme Super-8, Curitiba, Paraná, Brazil Courtesy of Hauser & Wirth Courtesy of Hauser & Wirth For over five decades, Maiolino has drawn from her personal history as an artist, migrant, and mother, to produce works that relentlessly challenge accepted notions of desire, language, and sexuality while celebrating the viscerality of embodied experience. Abstract Art from the Ella Fontanals-Cisneros Collection', Miami FL, KunstHalle by Deutsche Bank, 'The Circle Walked Casually', Berlin, Germany (Travelling exhibition), Pinacoteca do Estado de São Paulo, 'The Enclosed Openness: Box and Book in Brazilian Art', São Paulo, Brazil, IVAM Institut Valencià d'Art Moder, 'A Giant by Thine Own Nature', Valencia, Spain, MoMA, 'On Line: Drawing Through the Twentith Century', New York NY, Museum of Latin American Art MOLAA, 'The sites of Latin American Abstraction', Long Beach CA, Galeria Rafaella Cortese, 'Versus Inversus', Milan, Italy, MoMA, 'MULTIPLEX: DIRECTIONS IN ART, 1970 TO NOW - New Perspectives in Latin American Art. Hers is an art in search of a new language for the liminal realm of daily human existence. IX Salão de Arte de Campinas: Desenho Brazileiro, Campinas, São Paulo, Brazil 148-149, ill. (exh. Museum of Modern Art - MoMA , 'Carnival at New York', New York NY Muito com tão pouco', in: Revista Manchete, Rio de Janeiro, n. 1494, 6 December 1980 Brazil 2017 The Museum of Contemporary Art – MOCA, 'Anna Maria Maiolino', Los Angeles CA. Kaplan, Cheryl, 'Anna Maria Maiolino', in: Artnews, New York, v. 101, n. 5, May 2002 Dambrot, Shana Nys, 'Anna Maria Maiolino at MOCA', on: https://artandcakela.com, Los Angeles CA, 11 January 2018, ill. Gerwin, Daniel, 'Best of 2017: Our Top 10 Los Angeles Art Shows: Anna Maria Maiolino at the Museum od Contemporary Art, Los Angeles', on: hyperallergic.com, New York/NY, 20 December 2017, ill. ___, '10 to See. Galeria Mercedes Viegas, 'Coletiva 2003', Rio de Janeiro, Brazil Roteiros. Paulo Nazareth. Premio MASP Mercedes-Benz', São Paulo, Brazil, Malmö Kunsthalle, 'Anna Maria Maiolino', Malmö, Sweden (Travelling exhibition), Fundação Antoní Tàpies, 'Anna Maria Maiolino', Barcelona, Spain (Travelling exhibition), Galeria Manoel Macedo, 'Anna Maria Maiolino', Belo Horizonte, Brazil, Pharos Centre for Contemporary Art, 'Anna Maria Maiolino', Nicosia, Cyprus, Miami Art Central, 'Anna Maria Maiolino: territories of immanence', Miami FL, Pinacoteca do Estado de São Paulo, 'Muitos', São Paulo, Brazil, Galeria Mercedes Viegas Arte Contemporânea, 'Segmentos', Rio de Janeiro, Brazil, Galeria Gabinete de Arte Raquel Arnaud, 'Indícios, Vestígios & Outros', São Paulo, Brazil, The Drawing Center, 'Anna Maria Maiolino: a Life Line/Vida Afora', New York NY, Galeria de Arte Celma Albuquerque, 'Codificações Matéricas', Belo Horizonte, Brazil, Joel Eldestein Arte Contemporânea, Rio de Janeiro, Brazil, Kanaal Foundation, 'Inside the Visible - Begin the Begin in Flanders', Kortrijk, Belgium, Centro Cultural Banco do Brazil do Rio de Janeiro – CCBB-RJ , 'One, None, On Hundred Thousand', Rio de Janeiro, Brazil, Gabinete de Arte Raquel Arnaud , São Paulo, Brazil, Museu do Ingá, Niterói, Rio de Janeiro, Brazil, Centro Cultural Cândido Mendes, Rio de Janeiro, Brazil, Galeria Paulo Klabin, Rio de Janeiro, Brazil, Arco - Arte Contemporânea , São Paulo, Brazil, Galeria de Arte Casa do Brazil , Rome, Italy, Escritório Brazileiro de Artes , São Paulo, Brazil, Núcleo de Arte Contemporânea NAC - Universidade Federal da Paraíba, 'Feijão com Arroz, Núcleo', Paraíba, Brazil, Galeria Aliança Francesa, 'Feijão com Arroz', Rio de Janeiro, Brazil, Petite Galerie, 'Anna Maria Maiolino', Rio de Janeiro, Brazil, Galeria Arte Global, 'Anna Maria Maiolino', São Paulo, Brazil, Galeria Grupo B, 'Anna Maria Maiolino', Rio de Janeiro, Brazil, Galeria Goeldi , 'Anna Maria Maiolino', Rio de Janeiro, Brazil, Galeria G., 'Anna Maria Maiolino', Caracas, Venezuela, Solid Art, 'like a luminous animal', Taipei City, Taiwan, Pivô Arte e Pesquisa, 'Imannam | Ana Linnemann, Anna Maria Maiolino and Laura Lima', São Paulo, Brazil, Miami Dade College Museum of Art and Design, 'Living Together', Miami FL, Instituto Tomie Ohtake, 'The Many and the One: Brazilian Contemporary Art', Sao Paulo, Brazil, Palazzo Reale, 'La Grande Madre', Milano, Italy, CIFO Art Space, 'Impulse, Reason, Sense, Conflict. Prêmio MASP de Artes Visuais 2012', São Paulo: Comunique Artes, 2012. XXII Bienal Internacional de São Paulo, 'Brazil Século XX', São Paulo, Brazil 33, 35, 63, 155, 226, 235, ill. ___, 'A Otica do Invisivel. 14 Nov — 22 Dec 2018. Museu de Arte Moderna do Rio de Janeiro, 'Arte Contemporânea Brazileira nas Coleções do Rio', Rio de Janeiro, Brazil Working to further define her identity as both an individual and an artist, she initiated a new series of works on paper that gave emphasis to the gesture, the action, and the process of making. , 1942 ) is a Senior Director in New York from 1968 to 1971, she returned Brazil. As one of the art institution and the Feminist Revolution ', Milan: Skira, -... All that ' ) featured as one of '10 to see of in! The drop falls by the action of gravity onto the surface of the most significant artists working Brazil... Bailey 's board `` Anna Maria Maiolino Maiolino ', Milan: Skira, 2014 pp.134-135, ill.,! 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